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Sounds

bandcamp

Shows

 

  • Saturday, April 25th - The Copper Angel event @ Las Vegas Distillery, Henderson, NV, 2pm
  • Thursday, May 7th – Beauty Bar, Las Vegas, 10pm
  • Saturday, May 9th – Private event, Alamo, NV, 4pm
  • Wednesday, May 13th - Crafthaus Brewing, Henderson, NV, 6pm
  • Friday, May 15th – Beauty Bar w/Wayne Hancock, Las Vegas, 9pm
  • Saturday, May 16th - Dillinger Block Party, Boulder City, NV, 11pm
  • Thursday, May 28th – Burlesque Bingo @ Backstage Bar & Billiards, Las Vegas, 8pm
  • Saturday, September 26th – Wurstfest, Boulder City, NV, 10am

About

With Ken Osborne skillfully playing banjo, mandolin, and just about anything else with strings; Cindy Osborne thumping the upright bass like it owes her money; Michael Louis Austin effortlessly lending his flawless six-string chops; and Brenna Luman-Glimp weaving her beautiful, and sometimes haunting, cello around it all… The All-Togethers display their passion for what they do so well… play music that is reminiscent of times long gone with a freshness that will keep you smiling long into the night.
-Blake Phillips: Our Kind of Music Radio-


Press

10 Nevada Bands You Should Listen To Now

“This charming quartet like to lump their sound under the heading of “hillbilly jazz.” Not a bad way to think about The All-Togethers sound at all, really, as the quartet keeps their instrumental simple and acoustic (guitar, mandolin, and cello drive the sound), ready for a back porch jam session, but play a woozy, gin-fueled style of hot jazz that would be welcome in any speakeasy around the world.”
-Robert Ham: Paste Magazine-

a four-piece flurry of strings

Las Vegas is the land of many sights and sounds. The All-Togethers add Hillbilly Jazz to the city’s mixtape by bringing a four-piece flurry of strings with banjo, mandolin, cello, upright bass and guitar. The sound of To the Sober Go the Spoils is staged in a room with red brocade walls and gold filigree angels around the bar mirrors… The All-Togethers weave songs using the music of time gone yet their tunes drift on a breeze as fresh as the scented trail of flowers.             -Danny McCloskey: The Alternate Root Magazine-

a folky treat

From toe-tapping opener “Self-Defense” (with an even catchier chorus), to the winter-in-the-country vibes of “Shadowboxing,” The All-Togethers’ Americana-folk will make you feel like you hopped in a time machine set to 1925—minus that whole Prohibition thing. Cindy Osborne’s stand-up bass, Brenna Luman-Glimp’s gorgeous cello lines, Michael Louis Austin’s guitar and Ken Osborne’s rich vocals, mandolin and banjo make To the Sober Go the Spoils a folky treat for ears and feet.
-Leslie Ventura: Las Vegas Weekly Magazine-

Life Is Beautiful Goes South - SXSW

“The All-Togethers, led by Virginia ex-pat Ken Osborne, also hustled to set up other shows during the week. “It’s huge for us to be able to go,” Osborne says. “I think it could be really big [for Las Vegas]. I think it can turn into a spotlight as a future spot for bigger acts or even the smaller touring acts that don’t think there could be a home for them here.”
-Zoneil Maharaj: Vegas Seven Magazine-

Jugband Jazz…

”The Las Vegas that The All-Togethers call home is one where the bathtub gin flows and the speakeasy music is jugband jazz…Follow The All-Togethers down (a) dark alley off The Strip in downtown Las Vegas.”
-Danny McCloskey: The Alternate Root Magazine-

old-Vegas swagger

“…self-described “hillbilly jazz,” channeling old-Vegas swagger with the chutzpah of a moonshine-fueled speakeasy stomp—drawn from their Virginia roots…Live gigs are indeed the band’s element, when their bluegrass wails and harmonies and Cindy’s thumping bass can echo uninhibited throughout a room. Their sound is refreshingly devoid of the infectious indie twee popular in recent years—they’re more Tom Waits than Arcade Fire—but it manages to get you stomping, chanting and swooning in much the same way.”
-Andrea Domanick: Las Vegas Weekly-

Don't Call Them Folksy

“And then The All-Togethers begin to play, and your expectations drop like the walls of Hoover Dam. Traditional Bluegrass fills the room. Which proves (they) aren’t just wannabes of the fast-plateauing suspender set. Unlike The Lumineers, Of Monsters and Men, et al, this Las Vegas-via-Virginia acoustic act doesn’t peddle folk ‘n’ harmonies as schtick… Versatility has best served the new and certainly unlikely Vegas favorites, who have successfully acclimated their throwback package for a fickle and fussy bunch.”
-Mike Prevatt: Desert Companion Magazine-

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